the philippine chapter of the society of children's book writers and illustrators

SCBWI-CCP Children’s Book Conference: Saturday 2011 June 4

In Uncategorized on March 26, 2011 at 1:03 pm

REGISTRATION IS NOW CLOSED

8 AM to 5 PM, SILANGAN HALL
CULTURAL CENTER OF THE PHILIPPINES

Conducted by SCBWI President Steve Mooser and Philippine members of the Society of Children’s Book Writers & Illustrators (SCBWI) www.scbwi.org

PROGRAM

* Meet and Greet, Book Browsing
* Welcome Remarks (Emily Abrera)
* Opening Remarks (Beaulah Taguiwalo)
* Introductions (Dominique “Nikki” Torres)
* Children’s Lit Booktalk (Beaulah & Nikki)
* What’s the Buzz in Philippine Children’s Books? (Neni Sta. Romana Cruz)
* Looking for Treasure—And Finding It in Writing (Steve Mooser)
* Between Enchantment & Realism: Philippine Children’s Books Today (Karina Bolasco)
* Humor and Character (Steve Mooser)
* From 2D-3D Children’s Author-Illustrator to Foldabots Paper Engineer (Jomike Tejido)
* The Future of Children’s Books (Steve Mooser)
* Children’s Books Worldwide (Beaulah Taguiwalo)
* Certificates, Book Prizes (Nikki)

FACULTY

Steve Mooser is the President and co-founder of the Los Angeles based Society of Children’s Book Writers & Illustrators (SCBWI). The author of nearly sixty books for children, when Steve Mooser began writing books for children he did it with a bang: in the space of five years he wrote 250 books, K-4, for the SWRL Reading Program published by Ginn. He has since written a number of major reading programs for several companies including Ginn, American Book Company, and Harcourt Brace, Jovanovich.

Most readers know Steve for his trade books, which began with the publication of 101 Black Cats (Scholastic) in 1975, and continued through 1999′s release, Maid Marian’s Adventures in Sherwood Forest: A Girls to the Rescue Novel (Meadowbrook). He has written in every genre: picture books (The Ghost with the Halloween Hiccups), to series books (The Creepy Creature Club; It’s a Weird, Weird School), to nonfiction (Lights! Camera! Scream!), to novels (Elvis Is Back and He’s in the Sixth Grade). His most recent easy reader series is Goofball Malone, Ace Detective.

Neni Sta. Romana Cruz is a children’s book author, book reviewer, journalist, and educator. She has conducted numerous writing workshops here and abroad, has nine published books, and essays in over twenty anthologies.

Karina Africa Bolasco is a children’s author and Publishing Manager of Anvil Publishing Inc., the country’s biggest publisher. She is an eight-time recipient of the Manila Critics Circle’s Publisher of the Year Award.

Jomike Tejido is the author-illustrator of Tagu-Taguan, and the illustrator of Lub-Dub, Lub-Dub, both NCBA award winners. Also an architect, his latest book as a paper engineer is Foldabots Toy Book Vol. 3, published by Summit Media.

Beaulah Pedregosa Taguiwalo is a book designer and children’s illustrator. Her work is in more than 55 books. She designed and produced 15 mother tongue children’s books in 2009, and 10 seafarer children’s books in 2010.

REGISTRATION IS NOW CLOSED. No last minute walk-ins, sit-ins, observers, or anyone below 18 years of age. We reserve the right to ensure the safe and proper conduct of this event by imposing additional rules as we see fit.

QUESTIONS? Text 0905-347-1668 or 0917-787-495. Or email scbwiphilippines@gmail.com. Or visit scbwiphilippines.wordpress.com for the latest details.


Click on image for a larger view.

SCBWI Australia-Philippines Get-Together: Chris Cheng in Manila

In Uncategorized on November 22, 2010 at 2:51 am

SCBWI Philippines and SCBWI Australia had a get-together here in Manila when SCBWI members Dominique Garde Torres (Nikki) and Neni Sta. Romana Cruz and met up with Chris Cheng yesterday, November 21, at the Museum Cafe in Makati.

Neni Sta. Romana Cruz, Dominique Garde Torres (Nikki), and Chris Cheng. The stuffed toy in the picture is a kangaroo and a kiwi representing Australia and New Zealand which Chris brings wherever he goes to speak as an SCBWI member.

Chris is the SCBWI Co-Regional Advisor for Australia and New Zealand. He was in town as one of the foreign speakers at Lit Out Loud (LOL), the Manila International Literary Festival organized by the National Book Development Board (NBDB). According to Nikki, Chris was still a little high from the Festival and expressed his admiration many times for the leadership of the NBDB.

But at the M Cafe, Nikki wrote, “we had a very free wheeling discussion which touched on Chris as a writer, Chris as an educator, Chris as the longest running RA in the region with the biggest membership outside of the USA [next to SCBWI British Isles]. In the course of the conversation, we also spoke about the differences betwen the educational systems of Australia and the Philippines and how it impacted on children’s books.

“We also discussed the difference in the definition of Young Adult books in Australia and the Philippines. Apparently, in Australia, they have children’s books and books for older readers. The Books for older readers would be the equivalent of what we consider YA books here. When you say YA in Australia, it is defined as books for older readers which deal with controversial or taboo topics. Chris said that this definition was rapidly getting accepted in the West.”

We hope to see Chris again in Manila next year!

More about Chris Cheng here.

More about the NBDB’s Literary Festival here.

Negros Museum’s 1st Children’s Book Seminar with the SCBWI

In Uncategorized on October 25, 2010 at 3:51 am

By Beaulah Pedregosa Taguiwalo

Our children’s book seminar finally crossed the strait between Iloilo City and Bacolod when Dominique Garde Torres (Nikki) and I held it at The Negros Museum last Saturday, 2010 October 23. For The Negros Museum, it was the first event of its kind.

As usual, we had a book display. As people came in, they were asked to browse and choose a book to talk about during the Booktalk.

Later, everyone was asked to use the same book they picked as the basis for their scriptwriting exercise, and for writing a story in their mother tongue, Hiligaynon.

At the end of the day, we asked the participants what they like best about the event. “Everything,” Ricky Infante said, “only too short.”

“I’ve always been in love with books and writing and what I love about this seminar is that I find myself with like-minded people. There’s a passion for books and writing here that is invigorating. I felt inspired again,” said Valerie Pareño, a lawyer.

“Very brave organizers, to bring this seminar to Negros,” said Dodjie Marquez, an artist/illustrator/businessman. “Resource speakers very friendly, frank, open-minded, and helpful. Great to meet and interact with like-minded people.”

Here’s more:

“I liked the story writing exercise best. It challenged me to be a quick thinker and put my imagination to the test—which was not easy for me since I am pretty much of a logical thinker. The exercise broke some mindsets that I have when it comes to writing.” (Rina Victoria Alisan)

Dominique Garde Torres (Nikki), SCBWI Philippines Assistant Regional Advisor, is in the front row, extreme left. At the extreme right is Tanya Lopez, Executive Director of The Negros Museum. The author is at the back row, 3rd from left.

“The part where we had to make a story in 15 minutes using 6 sets of words to use in our stories. It helped that we were under pressure and that the sets of words served as the parameters.” (Betsy Gazo)

“Every session was a learning experience but the best part for me was the Booktalk. I enjoyed reading the book that I chose and sharing my opinions with the group. I also liked listening to the others share their opinions about their book of choice.” (Rose Jessica Octaviano)

“It introduced a lot of beautiful books . . .  taught us that we can write about anything . . . inspired me to write stories and playlets for my pupils.” (Mary Grace Jagurin)

“. . . the stories behind the books, especially the seafarer stories, and how they relate to current social situations.” (Ma. Luisa Gonzaga)

“The best part was adapting part of the book we chose by using our own setting, language, and characters.” (Alfonse Yanson Pelayo)

“The seminar is very good! I now know how to write scripts—even in Hiligaynon. Congratulations! Job well done.”

“I got the chance to write stories and scripts again! I really enjoyed the part where we wrote short plays because I am a theater artist and I also preferred to write scripts when I was in 6th Grade.” (Bea Lim)

“I have played around with a couple of short stories and scripts for my Prep kids but with the birth of my son and the responsibilities of teaching and family life, I forget about my fascination with children’s books. Today’s seminar rekindled that passion once again.”

“The chance to read different children’s books . . . The introduction to notable children’s books in the Philipines, U.S., U.K., Australia, and other parts of the world. And best of all, the chance to write our own story and script.”

“Everyone got a chance to talk. We were exchanging ideas and learning at the same time.” (Jensen Artifice)

“The chance to write our own story based on character, trait, prop, weather, time of day, and place. It challenged us to write a story in short period of time. Also the open forum that helped everyone share their ideas and feelings.” (Peter John Palma)

“I was able to write a play or a script and present it to others. It enhanced my creativity and imagination.” (Ma. Ritchell Balisnomo)

“Lots of like-minded people. Meeting those who made it in the industry and hearing from them what it’s like. Tips on how to write stories and plays. Being encouraged to find your own voice. I like The Pick-A-Book part, too; reading the best [books] out there, getting inspired by the stories, beautiful illustrations, and different styles.”

“The Booktalk where each participant said something about the book he chose. The inputs of the speaker, which were very informative.”

“Writing a story . . . the Booktalk . . . the competence of the speakers . . . the topics discussed . . . .” (Patricia Gomez)

“The Browse & Pick-A-Book . . . listening to other people’s opinion about a chosen book . . . It was the part that made quite an impression on me the most.”

“The sharing of works and adaptations . . . The coming out of budding writers . . . Appreciating each other’s creativity and works . . .  The fact that reading good books—children’s books and adult books—is very much alive.” (Mimi Olarga)

We would have heard more of these because more people wanted to join on the last day of registration. We told them that we will have another seminar soon.

Who was there? What do they do, besides being keenly interested in children’s literature? Three of the participants are writers, two are visual artists. Ten are theater artists, eight are college students, six are teachers, and three are self-employed business people and entrepreneurs. We also had one college instructor, one poverty eradication program volunteer, one marketing and communication officer, and one lawyer.

Where are they from? Where do they work, or study? Our participants included nine people from the University of St. La Salle, three from St. Scholastica’s Academy, two from Herbie Foundation, and two from Azatri, a company that makes and sells souvenir items. We also had someone from the Asian Business Institute of e-Technology, the Department of Education, the local chapter of the Philippine Mental Health Association, two from the local daily paper Sunstar Bacolod, and one /artist/illustrator/businessman.

It was a wonderful first event for the SCBWI in Bacolod. At the end of the day, Nikki and I each received a delightful surprise from from Tanya and The Negros Museum: an original pen-and-ink and colored pencil illustration of children, done by local Negrense artist Ramon de los Santos.

In the evening, Nikki and I went back to the Museum for the opening night of their annual Wax Works exhibit/performance. It is an experience that children, I am told and am now convinced, look forward to year after year—to sample not just once, but several times in one evening.

A corner of The Negros Museum exhibit on the second floor that showcases the haciendero lifestyle.

Nikki and I are grateful to The Negros Museum Executive Director Tanya Lopez and her wonderful staff  for making it possible for us to bring our children’s book seminar to Bacolod. Paolo was there just 2 seconds after Nikki and I arrived at the Museum at 7 a.m. He lost no time nor spared any effort—and I’m not saying this in a figurative sense—to get us in. Ihvonie, a non-stop walking talking marketing person, sold us heart and soul on The Negros Museum and its treasures and events—even as she helped arrange and rearrange the tables and chairs, taped and re-taped the microphone chord to the floor, read her chosen book for the Booktalk, wrote her own story, and shared it with the others. Lyn was with us the whole time, both as support staff and as a very hands-on participant.

The extra special delight on the side was The Suites at Calle Nueva—the little pension house that Tanya found for us to stay in. Brand new and consisting of only 20 rooms, it is lovely, clean, and quiet with a small but professional, friendly, and helpful staff. We’d love to see it stay that way.

A mural in the Jerusalem room of the Dizon-Ramos museum and ancestral house.

Nikki and I had a quick look at another museum in Bacolod, the Dizon house, but that is another story. One more reason to return to Negros, soon.

The author is a book designer, illustrator, and editor. She is the Regional Advisor for SCBWI Philippines and may be reached at taguiwalo8888@yahoo.com

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